Ah, Cinderella-one of the ‘Big Three’ of Fairytales, along with Snow White and Sleeping Beauty! What I love about this story is the number of images that relate to it-the pumpkin, the glass slipper, even the mice! Second the character of Cinderella can be represented in two phases-her housekeeper stage in rages, to her princess debut in riches! For this design, I wanted to combine the two.
There are a lot of theories behind how Cinderella gets dressed for the ball. I’ve heard one where she borrows one of her step sisters’ dresses. In the film ‘Confessions of an Ugly Stepsister’ she wears her mother’s wedding dress.
I was really taken by that moment when Cinderella is fleeing from the ball in mid transformation as her dress vanishes-and even hints towards her real character (I always wondered why she didn’t just stick around after midnight regardless of her rags-the Prince finds out she’s a servant eventually, so why bother delaying the truth?).
Stirring away from the typical fairytale princess look, I wanted something more down to earth, more urban with the feeling of being homemade-like perhaps she made the dress herself, quickly sewing it together, standing out at the ball for her natural beauty and innovation. Hence ‘Stitcherella’ was born!
Blue has always been Cinderella’s color, but to stay clear of the traditional glitzy look and to remain true to the ‘rags’ twist, I complimented blue with browns, from chocolate tones to bronzes.
I used a slim, glamourous silhouette and long trained skirt, and applied my ‘leaf’ technique I’ve been using for years, cutting up random pieces of various colored fabric scraps and stitching them into the skirt, in different shades of both silk and cotton, from royal blues to antique toned silvers. To further add to the homemade feeling of the dress, on the foundation bodice I flipped the seams edges on the outside. I wanted the dress to be as raw yet elegant as possible.
The setting is the courtyard of the castle as Stitcherella disappears into the night. The brick background for the floor and the archway I downloaded from a template from an amazing artist (and my true inspiration for this whole project), Cynthia Von Buhler, author was the incredible picture book ‘But Who Will Bell the Cats’ (www.butwhowillbellthecats.com).
Taken advantage of the amazing prop opportunity, I printed an antique clock at midnight. Originally I imagined Stitcherella stepping on it as she ran from the ball, shattering it’s glass frame, but it looked better mounted in the background, as if reminding her of the urgency of the situation. The glass slipper was a piece from a key chain, which I spruced up with the skull beads that have been a reoccurring element throughout this collection. Finally I found this plastic mouse, that looked so cute in the palm of Erika’s hand!
This shoot took almost a week to prepare for. But was it worth it-heck, yes! I had so much fun positioning Erika, swapping the props about, and had a hard time choosing one image to have printed for cards.